Carlos Garaicoa (nascido em 1967) é um artista contemporâneo cubano, especializado em fotografia e instalações. Garaicoa tornou-se um proeminente artista cubano nos anos noventa, após um êxodo massivo de artistas que desempenharam um papel decisivo no movimento artístico cubano dos anos oitenta. Suas peças geralmente trazem comentários sociais e políticos sobre a vida em Havana. O trabalho de Garaicoa é conhecido por se basear na teoria pós-modernista para conectar a estética ao significado dentro dos espaços urbanos e da arquitetura.
Os artistas cubanos dessa época incluíam Alexandre Arrechea , Marcos Castillo e Dagoberto Rodríguez, Fernando Rodríguez e Sandra Ramos . Esses artistas são conhecidos por incorporar 'técnicas artesanais', como a carpintaria, em suas obras. Garaicoa costuma analisar e usar a arquitetura como técnica artesanal. Garaicoa junto com os demais artistas da época foram os primeiros a enfatizar o uso da cidade de Havana como espaço central de sua arte.
Fonte: Wikipédia
Prêmios:
2012
Premio Tequila Centenario. Feria de Arte Contemporaneo Zona Maco. Mexico D.F, Mexico
2008
Premio de adquisición de video arte por la obra Yo no quiero ver más a mis vecinos, Video LOOP, Barcelona, Spain
2005
XXXIX Premio Internacional de Arte contermporáneo «Prince Pierre de Mónaco», Montecarlo, Monaco
Katherine S. Marmor Award, M.O.C.A, Los Angeles, USA
Exposições Individuais:
2019
Landscapes of Labour, Galeria Luisa Strina, São Paulo, Brazil
2018
Nada veo, nada digo, nada oigo, UNAICC (Unión Nacional de Arquitectos, Ingenieros de la Construcción de Cuba), Havana, Cuba
Birlibirloque, Galería Elba Benítez, Madrid, Spain
Anatomías y Anatemas, Francesco Pantaleone Arte Contemporanea, Palermo, Italy
Parasol Unit, London, England
The Palace of the Three Stories, CGAC Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
Ser Urbano, Espaço Cultural Porto Seguro, São Paulo, Brazil
2017
El Palacio de las tres historias, Fondazione Merz, Turim, Italy
Bestiario, Galleria Continua, Beijing, China
Art Unlimited, Basel Art Fair, Basel, Switzerland
I’ve never been surrealist until today, MAAT Museu de Arte, Arquitetura e Tecnologia, Lisbon, Portugal
Prêt-a-porter, Centro Párraga, Murcia, Spain
Epifanías urbanas, Askuna Zentroa, Bilbao, Spain
2016
Unfinished Order, Museum Villa Stuck, Munich, Germany
2015
Stories, as lines, drawn over me, Antiguo Arsenal de la Marina Española, San Juan, Puerto Rico
The Politics and Poetics of Space, The Museum of Contemporary Art, Oslo, Norway
2012
Galeria Luisa Strina, São Paulo, Brazil
Le Optimist. Galleria Continua Le Moulin Boissy-le-Châtel (Seine-et-Marne), France
A City view from the table of my house. KUNSTHAUS BASELLAND Muttenz/Basel
Switzerland
CARLOS GARAICOA: PHOTOGRAPHY AS INTERVENTION. OFFICIAL SELECTION PHOTOESPAÑA 12 (PHE 12) FROM HERE. CONTEXT AND INTERNATIONALIZATION. Museo Colecciones ICO (MUICO)Madrid, Spain
Without Solution. Galleria Continua, San Gimignano, Italy
A City of view from the table of my house. KUNSTVEREIN Braunschweig, Germany
2011
Carlos Garaicoa: Making Amends, H.F. Johnson Museum of Art. Cornell University. Ithaca, New York, USA
End of silence. Centre d’Art la Panera, Lleida, Spain
Noticias recientes. Centro de Arte Caja de Burgos (CAB), Burgos, Spain
The Dark Room. Instituto Cervantes, Beijing, China
Party! Not tea party. Elba Benítez Gallery. Madrid, Spain
Photo-Topographies. National Museum of Contemporary (EMST). Athens, Greece
2010
See Reason (with Patrizio Di Massimo), Stedelijk Museum Bureau Amsterdam (SMBA), Netherlands
Lands in Abeyance, Museo de Arte Moderno de Medellín(MAMM), Sede Ciudad del Río, Medellín, Colombia
Overlapping, Irish Museum of Modern Art (IMMA) Dublin, Ireland
Project Fragile, MARZ Gallery, Lisbon, Portugal
Carlos Garaicoa: Making Amends, Contemporary Art Museum, Institute for Research in Art, Tampa, USA
The Old and the New, Barbara Gross Gallery, Munich, Germany
End of silence, Abierto x Obras, Matadero de Madrid, Spain
2009
The Point, the Line and the Plan, East Central Galleries. London, England
La mala semilla, Château de Blandy-les-Tours, France
Triunfo, Duda y Celebración, (with Ilya & Emilia Kabakov) Galleria Continua, San Gimignano, Italy
How to become a millionaire through the Junk Mail, Galeria Luisa Strina, São Paulo, Brazil
Yo no quiero ver más a mis vecinos, Video exhibition, Salle Zero, Alianza Francesa, Havana, Cuba
La enmienda que hay en mí, Museo Nacional de Bellas Artes, Havana, Cuba
The Observatory, Bridge Arts, Castleford, England
2008
Carlos Garaicoa, Caixa Cultural, Río de Janeiro; CCBB, Brasilia, (2009); Palacio das Artes, Belo Horizonte, Brazil (2009)
Revolution or Rizhome?, Galleria Continua, Beijing, China
2007
Capablanca’s Real Passion, Institute of Contemporary Art (ICA), University of Pennsylvania, Philadelphia, USA
Latin Kings Music Vol. I-V, Galería Elba Benítez, Madrid
2006
Capablanca’s Real Passion, Royal Ontario Museum, Toronto, Canada
The Drawing, the Writing and the Abstraction (with Ezequiel Suárez), Lombard-Freid Projects, New York, USA
Yo no quiero ver más a mis vecinos, Castello di Ama, Gaiole in Chianti, Italy
Der Gast (videos 1996-2006), FriArt Kunsthalle Fribourg, Switzerland
Overlapping, IV Liverpool Biennial, Open Eye Gallery, Liverpool, England
Postcapital, Palau de la Virreina, Barcelona, Spain
2005
Capablanca’s Real Passion, Museum of Contemporary Art (M.O.C.A) at Pacific Design Center, Los Angeles, USA
Things that Happen When Life Goes Very Wrong, Galleria Continua, San Gimignano, Italy
Because Every City Has the Right to be Called Utopia, Oriel Mostyn Gallery, Walles
Carlos Garaicoa, Yorkshire Sculpture Park, West Yorkshire, England
Carta a los censores, XXXIX Internacional Contemporary Art Prize, Quai Antoine I, Montecarlo, Mónaco
Vamos fazer barullo agora, porra! (with Ezequiel Suárez), Galería Habana, Havana, Cuba
El mapa del viajero, Galeria Luisa Strina, Sao Paulo, Brazil
Self-flagellation, Survival, Insubordination, Aspen Art Museum, Colorado, USA
2004
La misura de quasi tutte le cose, Palazzo delle Papesse, Siena, Italy
2003
Carlos Garaicoa, Galería Elba Benítez, Madrid, Spain
Lecciones de Historia, Casa de América, Madrid, Spain
Nuevas Arquitecturas, Centro Wifredo Lam, Havana, Cuba
Autoflagelación, Supervivencia, Insubordinación, Sala Montcada, Fundació La Caixa, Barcelona, Spain
Carta a los censores, Piccollo Teatro dell´anarchia, Volume!, Rome, Italy
La habitación de mi negatividad, VII Havana Biennial, Galería La Casona, Havana, Cuba
Letter to the Censors, Artist Statements, Art Basel Miami Beach, Lombard Freid Projects, Miami, USA
El asesino de la baraja, Espacio C, Camargo, Spain
2002
Now let’s play to disappear, Galleria Continua, San Gimignano, Italy
Ni Christ, ni Marx, ni Bakounine, Maison Européene de la Photographie, Paris, France
2001
Carlos Garaicoa, Art & Public Cabinet PH, Geneva, Switzerland
The last 10 Days of the Market, Aarhus Festival, Gallery Image, Denmark
Because Every City Has the Right to be Called Utopia, Lombard-Freid Projects, New York, USA
2000
Nouvelles Architectures, Farideh Cadot Gallery, Paris, France
Recuadros (with Federico Herrero), Jacobo Karpio Gallery, San José, Costa Rica
Carlos Garaicoa: La ruina; La utopía (obras 1990-2000), Biblioteca Luis Ángel Arango, Banco de La República, Bogotá; Bronx Museum of the Arts, New York, USA; Museo Alejandro Otero, Caracas
Venezuela
1999
Mi primer y último homenaje a la arquitectura (y al Marqués de Sade), Galería Habana, Havana, Cuba
Paisaje, Ars TeorÉTICA, San José, Costa Rica
Survia, Primer Salón de Fotografía, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
1998
Principio y fin de las fascinación, Centro Wifredo Lam, Havana, Cuba
1996
El voluble rostro de la realidad, Fundación Ludwig de Cuba, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
Cuando el deseo se parece a nada, Art in General, New York, USA
Habana: A survey, Carla Stellweg Gallery, New York, USA
El paisaje, los límites, Fototeca de Cuba, Havana, Cuba
1995
El espacio decapitado, Centre PasquArt, Biel-Bienne, Switzerland
Inside Havana, Espacio Aglutinador de Arte, Havana, Cuba
1994
El sueño de la razón (with Pedro Abascal), Centro Wifredo Lam, Havana, Cuba
1992
Tu número de suerte, Galería Juan Francisco Elso, Asociación Hermanos Saíz, Havana, Cuba
1989
Días de infancia, Galería del Centro de Investigaciones del Ministerio de Educación, Havana, Cuba
Exposições Coletivas:
2019
Culture and The People: El Museo del Barrio, 1969-2019. Museo del Barrio, New York, USA
Constructions and Geometries – Dulce and João Carlos Figueiredo Ferraz Collection, MuBE, São Paulo, Brazil
Glasstress 2019, Fondazione Berengo Art Space, Murano, Itália
13a Bienal de La Habana, Havana, Cuba
Ficção e Fabricação. Fotografia de Arquitetura após a Revolução Digital, MAAT Museu de Arte, Arquitetura e Tecnologia, Lisboa, Portugal
The walls enclose things that, if they suddenly burst into the street and shouted, would fill the world – seleção de trabalhos da coleção Fundación ARCO / Ifema, Madrid Autonomous Region, Portugal
2018
Chi utopia mangia le mele, ArtVerona, Verona, Italy
50 Aniversario del Museo de Villa Stuck: Grande Soriées, Museum Villa Stuck, Munich, Germany
The Pulse of the Body. Uses and Representations of Space. Per Amor A L’Art Collection, Bombas Gens Centre d’Art, Valencia, Spain
El fin del Gran Relato, Oficina de Proyectos Culturales, Puerto Vallarta, Mexico
Dialogues: 2 X 1, ARCOmadrid, Madrid, Spain
ANIMA – Open Studio 13.0, Estudio Carlos Garaicoa, Madrid, Spain
2017
Please come back, IVAM Institut Valencià d’Art Modern, Valencia, Spain
Las Ciudades Invisibles, Galleria Continua, La Havana, Cuba
El fin del Gran Relato, Galería Taller Gorría, La Habana, Cuba
Turbulencias, Galeria de Torreão Nascente da Cordoaria Nacional, Lisbon, Portugal
Condemned to be Modern, LAMAG Los Angeles Municipal Art Gallery, Los Angeles, USA
El borde de una herida, CDAN Huesca, Huesca, Spain
Cuban Art Now, Singer Laren, Laren, Holland
As if sand were stone, Art Gallery of Ontario, Ontario, Canada
EMST Collection (Greece) at dOCUMENTA 14, Fridericianum, Kassel, Germany
Arte en el Cambio de Siglo, Centro Botín, Santander, Spain
Adiós Utopia: Dreams and Deceptions in Cuban Art since 1950, Museum Fine Arts, Houston, USA
Wild Noise, The Bronx Museum of the Arts, New York, USA
South-South Let me Begin Again, Goodman Gallery, Cape Town, South Africa
Variable Dimensions: Artists and Architecture, MAAT Museu Arte Arquitetura e Tecnologia, Lisbon, Portugal
Please come back. The World as a Prison?, MAXXI Museo Nazionale Delle Arti del XXI Secolo, Rome, Italy
The End of the World, Centro per L’Arte Contemporanea Luigi Pecci, Prato, Italy
2016/2017
MACBA Collection 31, Museu d´Art Contemporani de Barcelona, Spain
2016
Cuba: Tattooing History, Padiglione d’Arte Contemporanea (PAC), Milan, Italy
El Tormento y el Éxtasis, Es Baluard, Palma, Spain
Labor Relations, Wrocław Contemporary Museum, Wrocław, Poland
Quand fondra la neige ou ira le blanc?, Palazzo Fortuny, Venice, Italy
New Territories: Laboratories for Design, Craft and Art in Latin America, Museo Amparo, Puebla, Mexico
CUBA LIBRE, Cuba contemporánea desde la visión de Peter Ludwig, Museum Ludwig, Koblenz, Germany
Transhumance, beyond human horizon, Centre d’Art de Bruxelles (CAB), Brussels, Belgium
2015
Artista X Artista, Havana, Cuba
Crónica(o), Fundación Casa Cortés, San Juan, Puerto Rico
4th Poly/Graphic Triennial, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico
Another Part of the New World, Moscow Museum of Modern Art, Moscow, Russia
Quarta-feira de Cinzas, EAV Parque Lage, Rio de Janeiro, Brazil
Crack, Galería Habana, Havana, Cuba
XII Bienal de La Habana, Havana, Cuba
The Coming Museum, Fórum Eugénio de Almeida, Évora, Portugal
Ejercicios de Traslado: Colecciones 9915, Centro de Arte Alcobendas, Madrid, Spain
Beleza?, curated by Pamela Prado, CCSP Centro Cultural São Paulo, Brazil
2014
Orden Inconcluso, CA2M Centro de Arte Dos de Mayo, Madrid, Spain
Orden Aparente, curated by Vicente Todoli. Fundación Botín, Santander, Spain
New Territories: Laboratories for Design. Museum of Art and Design, New York, USA
2013
Jornadas contra Franco, C/ Encarnación González no 8, Vallecas, Madrid, Spain
Utopia starst small, 12 Triennale Kleinplastik Fellbach. Fellbach, Germany
Extreme carperts, From Timbuctù to Contemporary Art. Fondazione 107, Turin, Italy
La Palabra Transformada, Open Studio 8.0. Carlos Garaicoa Studio, Madrid, Spain
2012
INHOTIM INSTITUTO DE ARTE CONTEMPORANEO, Inhotim, Brumadinho, MG, Brazil
Industrial Park. GALERIA LUISA STRINA, São Paulo, Brazil
Facing walls, opening windows. GALLERIA CONTINUA, Beijing, China
The Stumbling Present: Ruins in Contemporary Art. Art, Design & Architecture Museum UC Santa Barbara, CA. USA
Revolution not televised. The Bronx Museum of the Arts, Bronx, NY, USA
Roots, Memory, Identity and Change in Today´s Art. Palazzo De Sanctis, Castelbasso
Fondazione Malvina Menegaz, Palazzo Clemente, Castelbasso (TE), Italy
Caribbean: Crossroads of the world. El Museo del Barrio, Queens Museum of Art y The Studio Museum in Harlem, New York, USA
INHOTIM INSTITUTO DE ARTE CONTEMPORANEO. Inhotim, Brumadinho, MG, Brazil
ECHIGO-TSUMARI ART TRIENNALE. EchigoTsumari Satoyama Museum of Contemporary Art, Kinare, Japan
ALL OUR RELATIONS. 18th Biennale of Sydney, Cockatoo Island, Australia
End of Silence. 11th HAVANA BIENNALE: ARTISTIC PRACTICES AND SOCIAL IMAGINARIES, Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba
New Artworks in the Collection. Centre Pompidou, Paris, France
The longest trip beggings with a simple line (Curatorial Proyect). Galleria Continua, San Gimignano, Italy
Open Studio 6.0. Construct, Deconstruct and Destroy. Carlos Garaicoa Studio, Madrid, Spain
Fifty Year of Latin American Art. Selection from The Neuberger Museum of Arts. Avenue of the Americas Art Gallery, New York, USA
Walk the line. Galería Max Estrella, Madrid, Spain
Lugares en pérdida. Centro de Arte Contemporáneo Huarte/Uharte, Spain
Invisible cities. MASS MoCA, North Adams, MA, USA
2011
Regress Progress, Centre for Contemporary Art, Warsaw, Polonia__
Um Outro Lugar, MAM, São Paulo, Brazil
Coup d’éclat. Fort du Bruissin, Centre d’art contemporain, Francheville, France
Dublin Contemporary 2011: Terrible Beauty – Art, Crisis, Change & The Office of Non-Compliance, Dublin, Ireland
Penelope’s Labour, Fondazione Giorgio Cini, Island of San Giorgio Maggiore, Venice
Ya se leer. Imagen y texto en el Arte Latinoamericano. Centro de Arte Contemporáneo Wifredo Lam/Galería de la Biblioteca Rubén Martínez Villena. Havana, Cuba
Midnight in the City. ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Spain
The draughtman´s contract. Open Studio 5.0. Estudio Carlos Garaicoa, Madrid, Spain
Projeto Ideal, Centro Cultural São Paulo, São Paulo, Brazil
Architecture and Power_, Tate Modern, London, United Kingdom
A Sense of Perspective, Tate Liverpool, Liverpool, England
En Obras (Under Construction), curated by Adriano Pedrosa, Tenerife Espaço de las Artes, Canary Islands, Spain
Art Basel Miami Beach, Stand K14, Galeria Luisa Strina, Miami, USA
2010
Sinergias: Latin American Art in Spain Today, Contemporary Art Museum Gas Natural Fenosa (MACUF), A Coruña, Spain
The Earth is Blue Like an Orange, Montreal Museum of Fine Arts, Quebec, Canada
Midnight in The City, Centre d’Art la Panera, Madrid, Spain
Rehearsal, 8th Shanghai Biennale, Shanghai Art Museum, Shanghai, China
And Writers, First Nanjing Contemporary Art Biennal, Jiangsu Provincial Art Museum, Nanjing, China
Haunted, Solomon R. Guggenheim Museum, Bilbao, Portugal
Puntos de fuga, Museo de Arte Moderno de Medellín(MAMM), Sede Ciudad del Río, Medellín, Colombia
Viaggi in Italia, Palazzo Fabroni Arti Visive Contemporanee, Pistoia Italy
Let´s talk about Houses: When Art Speaks Architecture [Constructing, Deconstructing, Dwelling] , Lisbon
Transparency: Art for Energy, Museum of Contemporary Art Donna Regina (MADRE), Naples, Italy
Transparency: Art for Energy, Museum of Contemporary Art of Rome, Italy
Facing the Sun, Martin Janda Gallery, Vienna, Austria
First and Last, Notes on the Monument, Galeria Luisa Strina, São Paulo, Brazil
Stressisimo, Galería Habana, Havana, Cuba
There is Always a Cup of Sea to Sail in, 29th São Paulo Biennal, São Paulo, Brazil
Ideal Project, Museum of Contemporary Art, Santiago de Chile, Chile
Like tears in rain, Palácio das Artes, Fundação da Juventude, Porto, Portugal
Memoria Technica. Examining the Tension between Aesthetics and the Representation of the Self, East Central Galleries, London, England
Margins of Silence, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain
Spazio. From the Body to the City, MAXXI National Museum of XXI Century Arts, Rome, Italy
Eröffnung in neuen räumen, Barbara Gross Galerie, München, Germany
Sobrestructuras, OTR. Espacio de arte, Madrid, Spain
Modelos para armar. Pensar Latinoamérica desde la Colección MUSAC, Museo de Arte Contemporáneo de Castilla y León, Castilla y León, Spain
Ut(r)ópicos: Central America and The Caribbean, 31st Pontevedra Biennial, Museo de Pontevedra, Pontevedra, Spain
Isole mai trovate/Islands Never Found, Palazzo Ducale, Appartamento del Doge, The State Museum of Contemporary Art, Génova, Italy; Tessaloniki, (2010.); Saint Etienne, Museum of Modern Art (2011)
Sinergias. Arte latinoamericano actual en España, Museo Extremeño e Iberoamericano de Arte Contemporáneo, MEIAC, Badajoz, España; Museo de Arte Contemporáneo Gas Natural – Unión Fenosa, La Coruña, España (2010-2011)
Ver para Creer, Bienal de Arte Paiz, Guatemala
It is it, Espacio 1414, Santurce, Puerto Rico
Changing the focus: the Art of Latin American Photography (1990-2005), Museum of Latin
American Art (MOLAA), Long Beach, California, USA
I Shot the sheriff (Héroes y Villanos), Carlos Garaicoa Open Studio 4.0, Madrid, Spain
Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection, FotoFest 2010
Museum of Fine Arts, Houston, USA
Contemplating the Void: Interventions at Guggenheim Museum, Guggenheim Museum, New York, USA
Atopía, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain
Malas Calles, Institut Valencià d’Art Modern (IVAM), Valencia, Spain
Pieza única, Delegación del Principado de Asturias en Madrid, Madrid, Spain
Guerra y arte ¡Grande hazaña! Con muertos, Sala Puertanueva, Córdoba, Spain
2009
Art Kabinet, Art Basel Miami Beach, Galleria Continua, USA
Sphères 2009, Galleria Continua, Le Moulin, Paris, France
El patio de mi casa /The Sky Within my House, Universidad de Filosofía y Letras, Cordoba, Spain
Panorama de arte Brasileira, Museo de Arte Moderno, Sao Paulo, Brazil
Confluencias Inside, National Hispanic Cultural Center Art Museum (NHCC), Alburquerque, USA
Irreversible (Doble cara de la colección Sánchez Ubiría), Pazo da Cultura de Pontevedra, Spain
ARTTLV_09, Tel Aviv-Yafo, Israel
Mundus Novus, Arte Contemporáneo Latinoamericano, 53 Venice Biennial, ILLA Pavillion
Artigliere dell’Arsenale, Italy
Fragile. Terres d’empathie, Musée Art Moderne Saint-Etienne Metropole, France
Cartografías Disidentes, Biblioteca Nacional José Martí, Havana, Cuba; Oi Futuro, Rio de Janeiro, Brazil; Museo de Arte Contemporáneo, Caracas, Venezuela; Centro de Formación de la Cooperación Española, Cartagena de Indias, Colombia, Centro Cultural de Sao Paulo (2008) Brazil; SEACEX, Madrid, Spain (2008); Centro Cultural de São Paulo, Brazil (2008)
Videos Abierto, Murcia, Spain
2008
The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection, Fundación de
Arte Cisneros Fontanal (CIFO), USA
Farewell to Post-Colonialism, 3rd Guangzhou Triennial, Guangdong Museum of Art, China
Lança Cuba, Gentil Carioca (curator and artist), Rio de Janeiro, Brazil
Articulações, Faro, Algarve, Portugal
Construir, habitar, pensar. Perspectivas del arte y la arquitectura contemporánea, IVAM, Valencia
Spain
Blown Away, Exhibition Fact Sheet, Krannert Art Museum and Kinkead Pavilion, University of Illinois
at Urbana-Champaign, Illinois, USA
¡Cuba! Art and History from 1868 to Today, Montreal Museum of Fine Arts, Montreal, Canada
Unbroken Ties: Dialogues in Cuban Art. The Museum of Art Fort Lauderdale, USA
Surrounded by Water: Expressions of Freedom and Isolation in Contemporary Cuban Art, Boston
University Art Gallery, USA
The Sneeze 80 artists x 80 seconds 106 minutes (first exhibition in 2004), Durban Art Gallery, South
Africa
Fate Presto, Chiesa dell’Addolorata, Naples, Italy
2007
The Shapes of Space, Guggenheim Museum, New York, USA
Ouverture, Galleria Continua Le Moulin, Paris, France
One Colour, Galleria Continua, Beijing, China
Cuestion Xeracional, Centre Galego de Arte Contemporànea, Santiago de Compostela, Spain
Turbulence, 3rd Auckland Triennial, New Zealand
Commitment, Mechelen, Belgium
Luz ao Sul, Encuentro entre dos Mares, IV Sao Paulo Biennal- Valencia, Spain
Not afraid of the Dark, Emergenze Hangar Biccoca, Milan, Italy
Killing Time: An exhibition of Cuban artists from the 1980s to the present, Exit Art, New York, USA
Utopian Mirage, The Frances Lehman Loeb Art Center, New York, USA
Art Unlimited, Art 38 Basel, Switzerland
LOOP 07, Barcelona, Spain
A Number of Worlds Resembling Our Own, SMART Project Space, Amsterdam, The Netherlands
Homing Devices, Contemporary Art Museum, University of South Florida, Tampa, USA
IKF. Latin American Art Auction. Cisneros Fontanals Art Foundation, Miami, Florida, USA
Il futuro del futurismo Dalla ‘rivoluzione italiana’ all’arte contemporanea. Da Boccioni a
Fontana a Damien Hirst, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy
New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, M.O.M.A, New York, USA
L’emprise du Lieu, Domaine Pommery, Reims, France
2006
Metropolitanscapes, Palazzo Cavour, Turin, Italy
Estrecho Dudoso, San José, Costa Rica
De repente livros, A Gentil Carioca, Rio de Janeiro, Brazil
Habana Factory, A Chocolatería, Santiago de Compostela, Spain
Arte de Cuba, Rio de Janeiro, Sao Paulo and Curitiba, Brazil
C4, Centro de Cultura Contemporanea, Caldogno, Vicenza, Italy
Echigo-Tsumari Art Triennale, Nigata, Japan
Less. Strategie alternative dell’abitare, PAC, Milano, Italy
Other than Art, G Fine Art, Washington D.C, USA
Nuit Blanche, Paris, France
Ideal City-Invisible Cities, Zamonsc, Poland
Off the Shelf: New Forms in Contemporary Artist’s Books, The Frances Lehman Loeb Art Center, Vassar
College, Poughkeepsie, New York, USA
Museo Tomado, Museo Nacional de Bellas Artes, Havana, Cuba
Waiting List, Mestna Galerija, Ljubljana, Eslovenia
2005
New Photography, Museum of Modern Art (M.O.M.A), New York, USA
Inverting the Map: Latin American Art from the Tate Collection, TATE Liverpool, UK
M City, Kunsthaus Graz, Vienna, Austria
III Tirana Biennial, Tirana, Albania
Farsite, Insite, Tijuana-San Diego, Mexico-USA
51st Venice Biennale, Arsenale, Venice, Italy
Art Unlimited, Art Basel 36, Basel, Switzerland
Dialectics of Hope, I Moscow Biennale, Moscow, Russia
7th Sharjah International Bienal, Sharjah, United Arabian Emirates
2004
Transmigraciones, Trienal Poli/Gráfica de San Juan, Puerto Rico
Future Cities, Art Gallery of Hamilton, Canada
We come in peace… Histories of the Americas, Musée d’Art Contemporain of Montréal, Canada
Artitecture, Rena Bransten Gallery, San Francisco, USA
Image Smugglers, XXVI Sao Paulo Biennal, Parque Ibirapuera, Sao Paulo, Brazil
Sculpture, Gallerie Anne de Villepoix, Paris, France
A Taste of the Pain of Others, L.A Freewaves, California, USA
2003
Time capsule. Art in General, New York, USA
Dream Space / Entre sueños. Deutsche Bank Lobby Gallery, New York, USA
Salon des Refusés, Fondazione Bevilacqua La Masa, Venice, Italy
Modern Islands, Public Project, Dresden, Germany
Cuba on the Verge. An island in transition, International Center of Photography, New York, USA
Dentro/Fuera: Arte Cubano contemporáneo, Charlotte and Philip Hanes Art Gallery, Wake Forest University, USA
2002
Somebody’s architecture, Documenta 11, Platform 5, Kassel, Germany
Copyright, Centro Cultural de España, Havana, Cuba
Artists Imagine Architecture, Institute of Contemporary Art (ICA), Boston, USA
De ponta cabeça, I Fortaleza Biennal, Brazil
Reality’s Desire, The Generation of Images, Milan, Italy
Sincretismi, Fondazione Adriano Olivetti, Rome, Italy
On/Off (with Michelangelo Pistoletto), Vista Mare Associazione Culturale, Pescara, Italy
2001
Demonstration Room (Casa ideal), Museo Alejandro Otero, Caracas, Venezuela; Apex Gallery, New York, USA; NICC, Amberes, Belgium
Shifting Tides, L.A County Museum, California, USA; Grey Art Gallery, New York, USA; Museum of
Contemporary Photography, Chicago, USA
Sonsbeek 9, Arnhem, The Netherlands
Mega Wave, I Yokohama Triennale, Japan
2000
Mirror’s Edge, Vancouver Art Gallery, Vancouver, Canada; Castello Di Rivoli, Turin, Italy; Tranway
Glasgow, Scotland, UK
From the negative: Conceptual Photography from Cuba, Parts Gallery, Minneapolis, USA; North
Dakota Museum, USA
Más allá del Documento, Museo Centro de Arte Reina Sofia, Madrid, Spain
Waterfront project, Helsingør/ Helsingborg, Denmark/Sweden
Fotolatina, Museo Arte Contemporáneo, Guadalajara, Mexico
Window onto Venus, VII Havana Biennal, Havana, Cuba
Cream 2, 10 curators, 100 artists. Exhibition Catalog, Phaidon Press, London, UK
Espacios híbridos (with Tania Bruguera, Luis Gómez), Galería La Casona, ARCO ’00, Madrid, Spain
1999
Los mapas del deseo, Kunsthalle Vienna, Kunstraum Innsbruk, Austria, Nicolaj Contemporary Art
Center, Copenhagen, Denmark
Venus’s Window, Civic Centre La Grancia, Zerynthia, Associacione per l’arte Contemporanea
Tuscany, Italy
Mirror Edge, BildMuseet, Umea, Sweden
I Bienal Internacional de México, Centro de la Imagen, D.F., Mexico
Cuatro artistas cubanos, Geunkens en De Vill Gallery, Knokke, Belgium
Diáspora. Encuentro Internacional de Arte Ciudad, Oviedo, Asturias, Spain
1998
La ciudad vista desde la mesa de casa, Centro Wifredo Lam, Havana, Cuba
Fragmentos a su imán, Casa de las Américas, Havana, Cuba
Isla Oscura: New Photography from Cuba, Southeast Museum of Photography, Daytona Beach
Florida, USA
Comme peut on être cubain?, Maison de L’Amerique, Paris, France
De discretas autorías, Museo de Arte Contemporáneo de Maracay Mario Abreu, Maracay, Venezuela
Cuba-ON, Generous Miracles Gallery, New York, USA
La mirada y el laberinto, Cosello da Cultura Galega, Galicia, Spain
Memoria íntimas, marcas, Electricworkshop, Johannesbourg, South Africa; Window-Museum
Pretoria, South Africa; Pauilhao Branco, Museu da Cidade, Lisbon, Portugal
Caribe Insular, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain; Casa América de Madrid, Spain
XXIV Bienal de Sao Paulo, Parque Ibirapuera, Sao Paulo, Brazil
Art and Survival in the Utopian Island, Azu Museum, Tempe, Arizona, USA
La isla del futuro, Palacio de Jovellanos, Gijón, Spain
Segundo Salón de Arte Contemporáneo, Centro de Desarrollo de Artes Visuales, Havana, Cuba
1997
Utopian territories: New Cuban Art, Morris and Helen Belkin Art Gallery and Contemporary Art
Gallery, Vancouver, Canada
El individuo y su memoria, VI Bienal de La Habana, Centro Wifredo Lam, Havana, Cuba
Space/Fire, 97 Kwangju Biennale, Kwangju, South Korea
Memorias íntimas, marcas, Cuito Cuanavale, Centro Cultural Portugués, Luanda, Angola; The Castle
of Good Hope, Cape Town, South Africa
Festival Internacional de la Ciudad de Medellín, Medellín, Colombia
Trienal Internacional del Arte Fotográfico, Romaniemi Art Museum, Helsinki, Finland
1996
Las otras escri(p)turas, Centro de Artes Plásticas y Diseño, Havana, Cuba
Río Almendares, ni fresa ni chocolate, CENCREM, Havana, Cuba
Carne, Espacio Aglutinador de Arte, Havana, Cuba
1995
Africus’95, 1st Johannesburg Biennale, South Africa
Una de cada clase, Centro Nacional de Conservación, Restauración y Museología (CENCREM)
Fundación Ludwig de Cuba, Havana, Cuba
Cuba: la isla posible, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain
Trans (intro) post-diario, Galería La Fundición, Bilbao, Spain
The New Generation, FotoFest, The Menil Collection, Houston, Texas, USA
Utopía, Galería Casa del Joven Creador, Sede de la Asociación Hermanos Saíz, Havana, Cuba
Entornos y circunstancias, V Bienal de la Habana, Museo Nacional de Bellas Artes de Cuba, Havana
Cuba
La nueva generación: fotografía contemporánea de Cuba, Fototeca de Cuba, V Bienal de La Habana
Havana, Cuba
V Bienal de la Habana, Kunst Forum Ludwig, Germany
1993
Las metáforas del templo, Centro de Desarrollo de Artes Visuales, Havana, Cuba
1991
Si Tim tiene, Tim vale, IV Bienal de La Habana, Galería del ISA, Havana, Cuba
Coleções Públicas:
Art Gallery of Ontario (AGO), Toronto, Canada
Centre PasquArt, Biel-Bienne, Switzerland
Centro de Arte Caja de Burgos (CAB), Spain
Dallas Museum of Art, Texas, USA
Fundació La Caixa, Barcelona, Spain
La Collection Du Musée National d’art Moderne (Centre Pompidou), Paris, France
Los Angeles County Museum (LACMA), Los Angeles, USA
Inhotim Institute, Minas Gerais, Brazil
Museo de Arte Contemporáneo de Castilla y León (MUSAC), Spain
Museo del Barrio, New York, USA
Museo Nacional de Arte Centro de Arte Reina Sofía, Madrid, Spain
Museo Nacional de Bellas Artes, Havana, Cuba
Museum of Contemporary Art (MOCA), Los Angeles, USA
Museum of Latin American Art (MOLAA), California, USA
Museum of Modern Art (MoMA), New York, USA
Musée de Beaux Arts de Montréal, Canada
Musée Européen de la Photographie, Paris, France
Southeast Museum of Photography, Daytona Beach, Florida, USA
Tate Modern, London, England
The Bronx Museum of Art, New York, USA
The Museum of Fine Arts, Houston, Texas, USA
The Solomon R. Guggenheim Museum, New York, USA
Bibliografia:
2012
Garaicoa, Carlos. Carlos Garaicoa: La Fotografía Como Intervención / Photography as Intervention. Madrid: La Fábrica
2010
“Overlapping” Carlos Garaicoa. The Irish Museum of Modern Art, IMMA
2008
D’arcy, David. “It’s Not Politics. It’s Just Cuba.” New York Times, Feb 3, 2008: AR 31
2007
Lovelace, Carey. “Carlos Garaicoa at Lombard-Freid.” Art in America, Mar 2007: 176-177
Newhall, Edith. “Carlos Garaicoa: ICA.” ARTnews, Apr 2007: 138
2006
Chen, Aric. “Hint gets to the art of it all.” Hint Fashion Magazine Oct 2006
Cotter, Holland. “Carlos Garaicoa.” Review, The New York Times 17 Nov 2006
2005
Gefter, Philip. “Defining the Moment, for the Moment, Anyway.” The New York Times 16 Oct 2005
Pagel, David. “When multi-this and multi-that lacks newness.” Los Angeles Times 14 Mar 2005
— “Turning artwork into border issue.” Los Angeles Times 14 Sept 2005
Spiegler, Marc. “City Lights.” ARTnews Mar 2005: 96-99
Wallach, Amei. “Below the Surface: Daydreams of Havana, and Other Cities, Too.” The New York Times 19 May 2005
2003
Brody, Jacqueline. “From Putts to Prints in Cuba.” art on paper Mar 2003: 40-44
Csaszar, Tom. “Foire International d’Art Contemporain.” Review, Sculpture May 2003
Halkin, Talya. “Metamorphoses of Time.” The New York Sun 30 Jan 2003
Frerot, Christine. “FIAC 2002, Art Paris.” Art Nexus 2003
Rosen, Miriam. “Maison Europeenne de la Photographie” Review Artforum Summer 2003
Rottner, Nadja. Review, Flash Art Oct 2003
2002
Block, Holly. “Carlos Garaicoa.” BOMB Winter 2002-2003
Cembalest, Robin. “The Cuban Revolution.” ARTnews Mar 2002
Duenas, Issa Maria Benitez. “El Final del Eclipse.” Art Nexus 2002
Helguera, Pablo. Review of Lombard-Freid Fine Arts show. Art Nexus 2002
Hernandez, Erena. “Carlos Garaicoa: From Ruins to Desire.” Art Nexus 2002
Jimenez, Carlos. “The Globalization Documenta.” Art Nexus 2002: 69-70
2001
Cotter, Holland. “Photographic Stylists of the Epic and the Surreal.” The New York Times 7 Sept 2001
Dailey, Meghan. “Because every city has the right to be called Utopia.” Review, Time Out New York 27 Dec 2001- 3 Jan 2002
de la Torre, Monica. Review of Bronx Museum of the Arts show, ARTnews Feb 2001
Glueck, Grace. Review of Bronx Museum of the Arts show, “The Ruins, The Utopia.” The New York Times 16 Feb 2001
Gioni, Massimiliano. “Yokohama Mega Wave: Towards a New Synthesis.” Flash Art Oct 2001
Goodman, Jonathan. “Carlos Garaicoa at the Bronx Museum of Art.” Art in America Jun 2001
Jones, Kristen M. “Shifting Tides: Cuban Photography after the Revolution, Grey Art Gallery, New York.” frieze Dec 2001: 126
Newhall, Edith. review, New York Magazine Dec 2001
Ollman, Leah. “From Revolution to Reverie.” Art in America Oct 2001: 65-69
2000
Mosquera, Gerardo. “CREAM 2: 10 curators, 100 artists,” Phaidon Press, 2000
1998
Blanco, Caridad. “Carlos Garaicoa: Jugar a la memoria entre la historia y la ficción.” En Arte Cubano 1998: 32-37
Guagnini, Nicolás. “CubaON: 11 fotógrafos conceptuales: Galería Generous Miracles, New York.” Art Nexus Apr-Jun 1998:131-132
— “Comand (voz de mando).” Marcas News Deflagration Difumbe
(Proyecto Memorias Intima). Johannesburg Jul 1998: 16
1997
Olmo, Santigo B. “Bienal de La Habana El individuo y la memoria.” Lápiz Spain Jun 1997: 62-69
Weiss, Rachel. “La Sexta Bienal de La Habana.” Art Nexus Oct-Nov 1997: 70-77
1996
Lovelace, Carey. “Havana Biennial.” ARTnews Sept1997: 142-144
Mosquera, Gerardo. “Carlos Garaicoa,” Poliester Spring1996
Santos, Eduardo Alberto. “Carlos Garaicoa. Un proyecto para Atlántica.” Atlántica Internacional Revista de Artes Centro Atlántico de Arte Moderno Cabildo Insular de Gran Canaria Winter 1996: 92-97
Tully, Judd. “Carlos Garaicoa: Art in General and Carla Stellweg.” Art Nexus Oct-Dec 1996: 154
1995
Watriss, Wendy with Antonio Molina. Interview: “Reflection on contemporary photography in Cuba.” Aperture 1995
Zaya, Octavio. “The Cuban Quagmire: Carlos Garaicoa, Kcho and Osvaldo Yero.” Flash Art Oct 1995: 195-198
1994
Cameron, Dan. “Cuba: Still not Free.” Art and Auction Mar 1994: 86-91
Cazalla, Jana. “Quinta Bienal de La Habana: Encuentros en la periferia.” Lápiz Spain, Oct-Dec 1994
1991
Mosquera, Gerardo. “Art through the city (Carlos Garaicoa).” The City as Art: Interrogating the polis publication from Symposium held in Dublin by The International Association of Art Critics (AICA), Dec 1991
Fonte: Galeria Luisa Astrina
